A Second Look @ Halo: Reach

Some people were skeptical of Halo: Reach even before its release but with good reason: it was Bungie’s last time working on the franchise and many fans thought their hearts wouldn’t be in it, causing it to fall short of living up to its fullest potential under the Halo name. The ending to Halo 3 left us all wanting more from the Master Chief and, with Reach being the third spin-off/side story game in a row, it didn’t get a lot of love due to many fans stepping away from the series after finding too many faults in ODST. In that case, they missed out on a piece of history in the Halo universe. Their fears would have been quickly brought to an end as the game proved it was more than capable of balancing the campaign story with multiplayer action all with great graphical fidelity, majestic music, and the best gameplay the series had ever seen.

Gone is the blandness of Master Chief and in his place are five Spartans, each with differing personalities and varying sets of skills, and yourself as the newly transferred Noble Six whose face is never seen (Its like being Master Chief but with the rank of Lieutenant). Before the first mission begins, you're informed by team leader Carter, callsign Noble One, that your days of acting as the lone wolf are at an end; you are part of a team now and must follow orders. You can once again rely on teammates with competent AI to have your back as you must also watch theirs. Starting the campaign, you are airlifted in to a farmstead near a satellite installation where communications have strangely gone dark. Thinking its insurrectionists, your team is prepared for a small arms firefight only to discover that the Covenant have reached planetside. And so begins the lengthy campaign with a compelling story, long areas to traverse and, in a later level, one very chaotic run through a long field of Covenant.

The campaign never feels tacked-on like in other FPS games, it's a whole and complete story which is as pulse-pounding, frustrating, rewarding, and unique as the other Halo titles, if not more. You feel the weight of an entire planet that's at risk of falling and you feel the hopelessness as the population is evacuated or slaughtered. Can you recall your first time taking control of the Falcon helicopter as you flew around the skies over New Alexandria? What went through your mind as you saw the E3 video of the space flight and you were finally able to take control of the Sabre to take the fight to Reach's atmosphere? If you read the Halo novels, how did you feel knowing that in the end Reach would be glassed by Covenant plasma? While the story isn't a ground-breaking work of fiction, what you play through is an integral part of the history of the Halo universe and serves as a good prequel to the first game.
You are no longer the bullet sponge as your teammates can take hit after hit without dying and are also as effective in firefights as much as you are. They can kill and react to situations and occasionally have banter, much like in ODST. Unfortunately relying on them matters little in the campaign as the most they do are follow you or take control of vehicle turrets and sometimes the vehicles themselves. Level exploration isn't really encouraged as only thirteen skulls are pre-unlocked with fan favorites such as Mythic, Grunt Birthday Party, and Catch making their return. Since there were no hidden items to collect this time around, it lends more thought on the focus of the game rather than hunting down Easter Eggs.  Making their first appearance in the series, Armor Abilities give you temporary enhancements such as a projected hologram, jet pack, armor lock, and even the ability to sprint a short distance. These simple tactical advantages can sometimes mean the difference between life or death on Hardcore and Legendary difficulties. At the same time, these can also play a big part in the multiplayer and can earn you some kills if used properly or cheap deaths if you find yourself on the receiving end.

Multiplayer consists of the usual Halo games and brings back ODST's Firefight mode, which is similar to Gears of War 2's Horde Mode wherein you fight wave after wave of oncoming enemies with increasing difficulty. Even today, if you can find several friends to play with, it can easily give you a dozen hours of entertainment with many adjustable rules that can make it a tough challenge from the start, and even the opportunity to play on the opposing team as a Covenant Elite. If Firefight doesn't sound appealing, playlists made of different maps and rules can be found as well the ability to section players off by how well they play or how much they talk. If all else fails, there's always the unique mode of Grifball. 

Spartan customization makes a return and offers more options this time around to make your character unique, allowing you to use the same design in both the campaign and multiplayer. These are only cosmetic and don't have any effect in the actual game; armor upgrades don't provide any more protection and ammo belts don't improve magazine capacities. With the Command Points credits system along with leveled ranks, dozens of hours will have to be spent in order to get the more unique and costly items such as a Mjolnir Mark IV helmet, Kat's robotic arm, or armor effects. A player with a high rank and unique armor parts is to be commended for having the patience and skill to obtain them, also avoided if you're anything below the rank of Major. 

Reach went beyond the usual themes of cramped human and alien space stations and underground caverns made of metal. While you do fight in a Covenant ship at one point, most of the game takes place outside along canyons with vast draw distances that lend to a grand sense of scale. Mountainous levels have blind corners and cliffs that can lead to an instant death if taken too hastily in a Warthog. New Alexandria, though wartorn, has a sense of a clean and futuristic city. Character designs, as well as their armors, are a welcome change from the Chief's standard Mjolnir equipment and the thought of using the same armor in campaign and multiplayer is one of the best ideas that Bungie has ever had. The vehicle designs are familiar and are just as easy to operate. Light blooms, fog, weather, and fantastic draw distances coupled with amazing environmental art give Reach a feeling of being alive and organic. Before Halo 4, it was the best looking game in the franchise.

As the game's story unfolds in small victories and huge defeats, the soundtrack collides sorrow with hope, action with solemnity, and mystery with the knowledge of how it will all end. The drums give a tribal feel while the orchestra and singers add to the ambitious overtone of the game. Marty O'Donnell and Michael Salvatori both show their talent by making the Reach soundtrack unique in many ways while still holding on to the essence of the past games. In one level, you'll hear a song that borrows notes from the original Halo theme. This should incite in you a feeling that you don't need to be Master Chief to be a Spartan. If you're one who enjoys collecting game memorabilia, the Halo: Reach soundtrack comes on two CDs, has bonus tracks, and is definitely one you will listen to several times. 
The voiceacting is superb but the lines of dialogue might wear a bit thin if you die and have to restart from a checkpoint. Each voice actor has brought their A-game and gives life to each character. From Carter's tone of leadership to Jorge's sympathy, each Spartan is given a personality behind the helmet; even your own Spartan sounds like an every day man/woman, making them feel more relatable.
Explosions and gunshots during firefights coupled with friendly and enemy banter make up the bulk of the game's sounds and with a wide variety of them they never seem to get old, but it seems the sound was given the backseat treatment in favor of the soundtrack as there's really not a lot of new things in comparison to the previous series entries.

Halo: Reach is the last great "Hurrah!" from Bungie and it shows that they put more effort into making a complete game than they have before. Each of the numbered Halo games seems to follow a central theme of discovery, not just along the lines of gameplay environments but more so in the Halo universe:

   *Halo CE is about the mystery of the first ring-world.
   *Halo 2 dealt with humanity's part in the grand scheme of things.
   *Halo 3 is about the deception of the Covenant.
   *Even Halo 4 is about uncovering more of the history of the Forerunners.
Reach takes a different path and chronicles the fall of the UNSC homeworld of Reach; the first and last bastion of military security for the human race falls in a very short amount of time. It doesn't need additional campaigns or massive amounts of DLC to complete the story. It gives a feeling of defeat at the end but a reassurance of hope. Its not the story of how Noble Team dies, but of your Spartan's heroic effort to ensure the safety of the most important person and AI in the Halo lore. As your teammates fall one-by-one, and as you fall in the end, Cortana reassures you that your sacrifice is not in vain. If not for your efforts, the AI never would have made it back* to Master Chief.
It's a thrill ride that leaves you wanting to see more of the vast landscapes and cities. You'll want to do more to help the population and fight the covenant. You'll want to battle online more to reach new ranks and prove you're damn good at it. You'll want more Spartans with personality. You'll want to hear more of the epic soundtrack. And in the end, you will be satisfied. If you missed Halo: Reach, you missed out on one of the best games in FPS history, and I stand by that wholeheartedly. 


(*In the Halo novel, Fall of Reach, Chief and Cortana ran a test exercise before being evacuated from the planet. Cortana was returned to Dr. Halsey while Master Chief was prepped for evac. Noble Team's mission was to get Cortana aboard the Pillar of Autumn in time.)

Review/Control Freak: Armored Core Verdict Day

I couldn't keep the review going for long. I'm done with this game. Welcome to a new entry into my Most-Hated Games List.

Armored Core premiered in 1997 on the original Playstation and with its combination of mech action, customization, and RPG-based credits reward system, it quickly became one of the best examples of mech simulation games to have ever been produced. The follow-up games being expansions took the game on a single-player quest and subsequently into the arenas. Fast forward 16 years later to 2013 where FROM SOFTWARE is still creating new Armored Core games and expansions. Verdict Day is not the initial release as it follows Armored Core V and even continues the story past the single-player campaign. But in these days of DLC add-ons and microtransactions, is it really worth it?

Earth is now a barren wasteland as three major corporations vie for control over territories that hold the remaining resources. The big three have worked out an uneasy truce among them but are still prepared for war with hired mechs and teams able to be dispatched at a moment's notice. The single player campaign puts you as a mech pilot working for a mercenary company when you're given the order to attack certain patrols in order to incite another war among the big three, just so they'll have reason to hire mercenaries again to do their dirty work, putting you back in a better paying job. Along the way you'll encounter other mercenary mech pilots who want to end you and the collect the bounty on your head, as you must do them also. You can form teams with AI-controlled mechs to help with completing the more difficult objectives, but it never really beefs up the difficulty enough until after about a dozen levels are completed.

If you find the single-player campaign to be too dull (and you probably will), you can open your game to the multiplayer section where you can hire other players to help you with your single player campaign missions, hire yourself out as a mercenary to help others, or have big team corporation battles (this all pending on whether the servers are up, of course, which is only half the time). And even then in the big team battles you'll come across a group of Koreans with the Windows logo who will completely obliterate whatever team is pieced together. Its this cross-cultural imbalance that makes this part of the multiplayer not even worth considering playing. They control most of the game and why servers aren't region separated is a painful reminder that FROM SOFTWARE only cares about its Far Eastern audience.

Inside the cockpit, you'll find that the action is just as chaotic and fast-paced as its ever been. Kinetic, Chemical, and Thermal Energy weapon types once again play a role in the game. Mech customization can prepare you for certain weapon types but leave you vulnerable to others. This same rule also applies for the one-on-one missions. After a short while they'll require careful planning and the right parts equipped to take down enemy mechs.

In order to advance in the story you need to defeat these other mercenaries, but when it becomes impossible to do so, it gives you no alternative to continue forward and brings the game to a grinding halt. Seasoned vets will find no fault in this and will find a way to work around it. All others will be turned off and will find no reason to continue playing. Its this exclusivity that the series has always had that prevents it from becoming something enjoyable by everyone.

The game engine is the same as 4 and 5, so you won't find much spectacle in the graphics. The whole thing is just as gritty as it was before and even though its a separate release, its already a tired view of things. With the exception of the new mech parts and the new maps, you'll find everything is the same.

The sounds of battle provide a very stark contrast to the calming nature of the menus, which features an operatic score backed by guitars. Guns in every form have different sounds and could shake the windows if turned up. The chaos of so many sounds happening on the battlefield is short-lived since some fights can take as little as two minutes.

CONTROL FREAK

Where the previous entries before Armored Core 4 were balanced between single and multiplayer, here most of the attention is on just the latter. It wants you to join a team, play through seasons, and play with others all online in order to get the better part of the experience. But what it boils down to is the same formula as the games before it: build a mech, defeat other mechs to unlock new parts, win until you have enough money to buy those new parts. It goes to show that FROM SOFTWARE has put the Armored Core series into a niche corner and shows no signs of advancing it with new ideas. Where creating teams and selling yourself as a mercenary are good ones, it seems they didn't bother to plan what to do for the rest of the game. If this is how the next few titles in the series go, with an ignorable story and a lot of repeated mech parts, then you should just ignore it. Armored Core Verdict Day is not a bad game, its a bad game to keep playing.

I looked up synonyms for the word "okay" because "okay" just sounded too dull. What I found was "acceptable," "permissible," "competent," and "satisfactory." I guess I could say that it is a competent game in that it knows what its doing but I just can't in good conscience use the others words to describe how much of a letdown Armored Core Verdict Day really is. There are other mech games that are taking the same ideas but in different and exciting directions; Hawken coming to mind first. But if this is what an old veteran of the genre has to offer then it should be put to rest for a few years.

If you have Armored Core V then you don't need Verdict Day. I understand that releasing expansions as separate games is what the series has always done but in the year of 2013 this is a tired practice. This idea of nickel-and-diming the players has already outlived its welcome. What could have been just a $20 DLC add-on was instead released as a $50 entry into the franchise. For that price the amount of content offered is simply not worth it. Companies need to understand that this will not get us to buy new games. You do not need Verdict Day. If the series continues along this path it will eventually do itself in. And maybe, just maybe, we'll get a mech game worthy of all of us playing.

Keep Playing

A Second Look @ TimeShift

(Images taken from Gamespot)

 

TimeShift started life on the original Xbox and PC featuring the rugged, average, white male hero Michael Swift. After Sierra Interactive got the rights from Atari they gave the game a complete overhaul and created the Time Suit, making the player character anonymous in the process. Its a better a idea mostly because it feels like you are in control. You hold time in the palms of your... well, in your suit. From the sound of things, you almost expect the story to go from one time period to another, chasing down people or one man or even anomalies, setting things right in the past to make a better future, but unfortunately it never gets that imaginative.

The story puts you in the place of a highly respected scientist with a “mysterious past” who has been employed to work on a new ground-breaking technology. I'm sure we've heard the story before but I digress. It starts with the aptly named Dr. Krone (I can't think of that name without rolling my eyes) destroying the lab and using the Alpha Time Suit to make an escape. Acting quickly, your character takes the in-development Beta Suit and, as the lab explodes, uses it to time jump to a dystopian future where Dr. Krone has distorted history to make himself the ruler. What proceeds is a war between the governing army and the resistance. I know this story has happened somewhere but I can't imagine where. After waking up from the time jump, you are given a waypoint and told to just go there. It never reveals the reason why Krone altered the timeline and you're left to believe its just because he's evil. You just accept it and start shooting enemies. It becomes quickly apparent that your time suit is malfunctioning and will make random jumps to save you from detected danger. Its nothing more than just a lazy plot idea to move you from one point of the game to another without explaining where in time you are.

The main star of TimeShift is the time control, which is not given freely as the suit needs a certain amount of time to recharge the energy after each use. You can start and stop using one of the time controls whenever you want but when there are moments of heavy action you might tend to forget. Pausing time will drain the most amount of energy but during its use you can traverse certain obstacles, avoid gunfire, or even take an enemy's weapon from his hands. Slow Motion gives you the ability to move faster than everyone and doesn't take as much energy as pausing, but enemies can still fire on you. Rewind is rarely used and it only takes the game back by a couple of seconds but will never save you from dying. Later in the game you will encounter enemies with crude time suits of their own that can ignore your time controls. The best option to take care of these guys is to just shoot.

It seems the usual suspects in regards of guns are present: the KM2103 Karbine being your first gun is an assault rifle that can shoot grenades as an alt-fire. Each gun has a main fire and alt-fire: the shotgun can single- or double-fire, the pistol can semi-auto fire up to four bullets, the flamethrower (aka Hellfire) can shoot bursts of fire, the Thunderbolt is a crossbow with a zoom, the EMF Cannon, which is just an electric gun, shoots disabling electricity with shots that can be charged. There's also a sniper rifle and rocket launcher that deal the most damage. TimeShift never flexes its creative muscles enough to think of interesting gun mechanics that relate to time.

Guns aim steady but are never fun to fire and on the harder difficulties it feels like a chore to take down an enemy. They take their sweet time to die and will sometimes take a whole clip or more while a headshot may only knock off their helmet. The chaos of being shot at means you won't have much time to focus on who's actually hitting you. Enemy gunfire is also accurate and it seems that very few bullets actually manage to miss you. The Time Suit recovers your health automatically and using the fast forward time control quickens the recovery pace. When dangerously close to dying, the edges of the screen turn red and the only thing to do is take cover. The AI is too dumb to come out of hiding and attempt to flank you, which provides a whole new problem that TimeShift suffers from: lifelessness.

Allies, who are all male and have the same body type, are capable of taking out enemies but, again, you are the bullet sponge. While allies know how to fire they're also as dumb as the enemies. It screams of last-gen tech. You have little to no reprieve when being caught in the open and a firefight ensues. Its this idea in game design that makes it feel lazy, not because you have something to shoot, but because the game only does firefights and time "puzzles" instead of providing interesting things to do.

Unlockables include videos, concept art, and level music which are unlocked upon the completion of levels. There are no hidden collectibles or interesting easter eggs at all. It would have done the game good to have some newspapers or videos to give even a hint of a backstory as to how Krone came to power but its never that fulfilling.

The graphical effects are one of the few good things to mention in terms of looks. While surfaces are awfully bland, the water effects and depth of field are well done. Glass shatters nicely, lighting effects are competent, and the effects when controlling time are nicely crafted. As everything blurs, events rewind in real time, or everything slows down as you speed past and it all holds up well. But take away this and it only goes to show that the amount of time taken to develop a game doesn't always mean its going to be the most spectacular looking.

Level design leaves a lot to be desired as narrow spaces and cover objects abundantly scattered about are what you'll find here. Its the same old "pathway-into-arena" gameplay that is present in most FPS games and the linearity is broken up with a sky level wherein you shoot a turret at enemy mines and jets.

Some explosions can shake the screen and are actually satisfying to see, but it doesn't happen very often. Enemies can get ripped apart and there may be some body parts lying around, you can also leave bloody boot tracks, making it definitely not one for the kids in this case.

You do get to drive an ATV on some occasions, which gets caught on nearly everything due to twitchy steering and has a needless turbo boost. The ATV sounds overpowered while the mounted machine guns and turrets sound weak. Its a bad case of audio mixup.

The constant sound of rain on the main menu and through several levels can get tiresome but its ignorable with distant gunfire and explosions echoing throughout the city, these give a nice depth to the action of an otherwise lifeless setting. The downside of the audio being that the guns you shoot never seem powerful in sound or effect. In fact, the suit is more noticeable by always making some sort of sound, whether beeping when low on health, the S.S.A.M. system telling you that danger is close, or the way it distorts sounds when using the time control.

There's very little music present, in fact there's almost none at all besides the moments of "epic" encounters. You hardly notice it and, sadly, I didn't notice it all even after turning all other sounds off just to try and hear it. I know its there because the soundtrack can be unlocked and played in the main menu. What we do get in the ways of musical offerings is an electronica-drenched, moody, eerie-sounding mix of songs that fit well with the mood of the game. Its actually good. Possibly the best part of the game overall. The shame of it is that you hardly hear it when playing 

The usual Deathmatch, Team Deathmatch, Capture the Flag, and One-on-One battles make up the multiplayer aspect. TimeShift gives us two unique modes called Meltdown Madness and King of Time. From the in-game description, Meltdown Madness is: "Throw Chrono Grenades at the opposing team's machine to prevent it from functioning. Your team wins when you machine completes its countdown." And King of Time has the players vying for control of a Time Sphere, which gives immunity to all time effects.

There is DLC available in the form of maps for multiplayer. One of them has 5 new maps and is free, the other is $10 and uses 5 maps from the single player campaign as battlegrounds.

What gives the multiplayer a unique spin is that the time suits don't come in to play. Instead, the energy meter is present and a small area is time-altered through player-thrown grenades. These grenades can slow or stop a player in their tracks. In defense, you can select a temporary burst of "time resistance." There are also several power-ups spread throughout that include time resistance, energy refill, armor power-ups, and heavy damage. Its unfortunate that most players will seem to rely on the random throwing of grenades to get kills so instead of the hectic mayhem that can determine which player is better its reduced down to who can manage their energy the best.

No one is playing TimeShift multiplayer these days, so the only thing to do is check out what it could have been like.

TimeShift is a lesson in de ja vu and contradiction: you get the sense that you've done this all before with some other game but here it wants to make you think  its original. It can't stick out on its own because other games have used the time control aspects and used them well. Its not bad. In fact it fails at failing. TimeShift is a solid effort at a game mechanic that we don't see very often and for that it sets itself apart from other FPS games. But its this reliance on the time control aspect to carry the bulk of the game that only makes it come across as unimaginative and just plain boring in every other area. A dull story, dated graphics, pathetic AI, and scripted action means you should never start playing TimeShift, that way you'll never have the disappointment of having to stop. Those of you who think you've missed out on it can find the physical 360, PS3, and PC versions dirt cheap on a used game rack or in the bargain bin, $30 on XBL, and $15 on Steam. Maybe it should have stayed on the original Xbox with Michael Swift. It may have improved it as, at that time, the FPS craze was just starting and the time control mechanics would have made it stand out.

Keep Playing

If I may speak candidly, and this includes spoilers: The comparison to Half-Life 2 is something that needs to be addressed. You are given a suit with certain powers, sent to an unknown time and city. You fight your way out to the countryside only to fight your way back into the city against a single regime. The dictator is speaking to the citizens through various displays placed all around the city. The suit recovering health automatically. The player character having an unknown past. There's a bridge level....

I found it hard to review TimeShift because I had to play it again. I've already done so twice before, on normal and hard difficulties only for the achievements, and that felt like enough. Plus the comparisons to Half-Life 2 makes it feel like I've played it a dozen times already. It's just not very fun to play. It can get intense and the game is solidly built, but it never gets fun. The ending to the game gives a finality to this story, only to undo what was done at the lab explosion, leaving it open for a sequel. The longer I took to write this review, the more I began to think of this as one of my all-time hated games, but I can't hate it because it did what it set out to do: make an FPS game based around time mechanics. For that, it begrudgingly gets my respect, but I'll never enjoy playing it.

A Second Look @ Homefront

(NOTE: Unfortunately, I can't comment on the multiplayer aspect of Homefront. With THQ's closure came the shutting down of the servers for all three available platforms. I can't even glance over how it was because I never had the opportunity to play it. In that regard the multiplayer aspect has been omitted and it does no good to read up on how it was.)
(ALSO: I'm sorry if you've read this review after the original post date of December 8. While trying to edit a few misspellings using the Blogger phone app, it instead reverted the review back to the draft and I unknowingly posted that in its place. So here's the real review...)

 (Images taken from multiple sources)

Why Homefront was ignored is beyond me. It came out at a time where everyone was looking for the Call of Duty killer (which will eventually kill itself) and people only wanted big multiplayer action. Homefront definitely had that with large-number MP battles and an engaging single player story. Kaos Studios used a template that everyone was familiar with but apparently nobody wanted.
Where Homefront succeeded was in its delivery: big action for both the single and multiplayer modes, an intense story and relentless enemies. Sound design of the highest caliber and an attention to detail of how the story came to fruition that most other FPS's don't bother with.

Where it failed is in its overall game design: an all-out para-military shooter with little regards to the cast of characters and a miniscule story length. The multiplayer was the usual mess of XP levels and being outclassed by higher ranks. It was the same thing we had seen in other FPS games before. It could have been done better, but only by very little.

If the plot sounds like a rip-off of a certain movie or book, its more of an homage. According to Wikipedia, while John Millius, the original writer of Red Dawn, is credited as a writer, he had nothing to do with the game's script. Regardless of who did the writing, it and the direction are very well done, elevating current global news stories to an exciting and terrifying degree for a story set in the future of a little town in Montrose, Colorado. Unlike Red Dawn, the Korean army is less political and quick to shoot at any resistance, bringing in helicopters and moving whole platoons against a small guerrilla army. The opening of the game is more focused on the horrors of what's happening: a child watching his parents get executed, bodies lining the sidewalks, people being forced from their homes and into labor camps. Its so surreal that it had to be edited in order to be sold in the Asian markets for fear of backlash from North Korea.
The game puts you in control of Robert Jacobs, a former Marine helicopter pilot. Disregard that information because none of it comes into play. You never get to pilot a helicopter and that's a shame. While being taken from your home by the occupying Korean military, you are rescued by a couple of resistance fighters. Without much argument you pick up a gun and proceed to shoot your way through the town to safety. The game doesn't deal with the emotions of the characters at all and is instead more concentrated on the horrors of war. There's a lot of focus on the here-and-now and very little on the past. It could be said that it would not do well to dwell in that area but instead the game feels as though it could have used a little of it.

The game also goes through intense hand-holding as you're very rarely left alone. You are not the one-man army like in FPS games of the same era and does everything it can to remind you of this. You will quickly learn to rely on cover and your allies to overcome a firefight. They never get in the way but the repetitive dialogue out of combat breaks the immersion. The guns handle very accurately and a few well-placed shots can take someone down even if they're wearing riot gear. The same goes for you as there will be a lot of cheap bullet-sponge deaths with the enemies seeing you as their only primary target. You will take the bulk of the damage but health recovers quickly by taking cover and staying out of a firefight for a few seconds. Even then enemies may flank you, forcing you to stay on your toes. In this aspect it knows how to keep the game exciting but the automatic health recovery takes away from believability. There's little time or space to run from an enemy grenade and your partners will take hit after hit without loss of life or even flinching. 
There are no cars to drive in the single player campaign but you can use targeting binoculars to command a Goliath, a remote-controlled and converted Korean mobile missile launcher, to take out enemy vehicles. This only happens a few times but its just enough to be awesome. Besides that you're put in the gunner seat of a Hummvee for a minute while playing part in escaping the town.

Very linear but excellently detailed levels usher you through the main campaign all while being led around by a man with obvious PTSD. While you may want to go exploring the interesting little nooks you might see, the game is littered with invisible walls that hinder any curiosity. Scattered throughout are newspapers that offer stories of events leading up to the current time and gives depth to the backstory. They're not all hard to find but some are easy to miss, but in the end finding them all is just for an achievement on the 360. Its a shame that so much more could have been done in terms of level size and variety. The campaign is short but a lot takes place within the small levels that include neighborhood houses, stores, and the cliched bridge level (if you remember, I mentioned that in my Black review). While the individual level details are acceptable, the design is lacking in originality with narrow ways giving way to arenas as seen in most modern FPS games.
The game comes to a head during the assault on a TigerDirect store (there are several product placements throughout) where the resistance army uses white phosphorous against the Koreans. Its a brutal scene that grabs the player's attention but not one of the only big action moments.

(The infamous willy pete scene. It shocked me when I first saw it and heard Connor say "Let'em burn.")

While each voice lends itself well to the character, they lack any sort of personality besides "soldier" and you'll hear Connor the most during playtime. The other voice you hear a lot is during the level loads where the DJ for the Voice of Freedom radio network gives news to what you and your team have been doing. The game could have used more depth by exploring the short list of characters but its main focus is on the war. Understandable but a connection with them would have been a welcomed thing.
The main star of the game is the explosions, which some could rock a home theater system given the chance. Grenades and rockets give off nice booms and you feel a sense of urgency when you hear a helicopter off in the distance, knowing that you can't take it on by yourself. Each gun has its own unique sound and while they are fun to shoot, they go through so many bullets that you may not have time to pick a favorite. You'll be grabbing guns off the ground so often that the game gives off an air of "fire and forget."
The soundtrack ranges from a pure orchestral score that gives a sense of forlorn and can quickly change direction to a mix of rock- or techno-infused orchestra. Most of the time its background noise but given the chance its really very moving. The soundtrack is available to buy both physically and digitally for those who are into collecting game memorabilia. 

Since THQ is dead (R.I.P.) and the servers are gone, the game's single player campaign is now the only attraction left, but even without multiplayer its still worth picking up a copy for cheap just to experience the short but awesome campaign a couple of times. It will frustrate you a lot with the cheap deaths but changing tactics is a smart idea to follow and will save you from having to constantly restart checkpoints. You cannot take on the brunt of the enemies yourself and while this may lead to a new way of thinking, here its just to show you that you can only take about seven bullets before biting the dust.

Personally I want to keep playing it and I keep wishing that it had been longer with more situations to deal with. Throw in a decision-making moment that turns the tide of the game. Give us a chance to command others. A few vehicles to drive. Something!
We'll just have to wait and see what Crytek brings us with Homefront 2.

Keep Playing

My Top 10 Games of 2012

 (Pictures taken from various sources. Also you will notice ad links on these blogs now. I NEED to make money somehow. I'm going broke! These ads are suggested by Google and are safe.)

2012 has come and gone.

No, I don't want to start off a blog like that. It's been said too many times. What I can say is that almost everyone of note has a Top 10 of the year blog or video posted. Games have affected each of us differently. Some of us have had to choose our experiences carefully.That being said my list isn't full of AAA titles like most are. I quit my job late in the year and started a new one a few months ago. I'm getting paid less and even my collecting of retro games has slowed to a near-halt. So any new releases are pretty much out of the question right now.

Keep in mind, like everyone else says, this is MY personal top 10. This hasn't been influenced by anyone. No company is paying me. This is not your list, do not tell me I'm wrong. Additionally these are games that I have played, not just watched a bunch of videos and wished I had played them.

DIABLO 3 HAS BEEN REMOVED BECAUSE BLIZZARD DOES NOT RESPECT THE PRIVACY OF THEIR CUSTOMERS. WHY CONTINUE TO SUPPORT THEM WHEN THEY DON'T CARE ABOUT YOU?

#10: Lego Lord of the Rings - Nintendo 3DS

The Lego series is best known for its goofy, some might say childish, humor. Meanwhile The Lord of the Rings series are some of the best epics that have ever been written. I became a fan of the movies out of the blue and I'm eager to read the books (sorry Tolkien fans, read the part where I quit my job, money's tight and I got the movies out of the $5 bin). Some might think that combining the three pieces of fiction to make a Lego game was a bad idea. It would be hard to make a violent movie into a kids game. Well its hard to take that violence and fearful tone seriously when its being done with Lego men. Hands popping off, comical deaths, and soundbytes taken from the movies all work well together to make sure that the LotR name is dulled down to a goofy, mindless adventure. The humor doesn't show at every cutscene and the story path follows the movies closely. Gameplay-wise, its a typical Lego game where you can switch out characters with the press of a button, run through the storyline a second time to unlock things you had to pass up first, and a TON of unlockable characters. To 100% this game will take more than 10 hours. What's best is that you can sit and play for an hour or so at a time and not feel bored. For the 3DS version, the 3D is just a minor addition. It doesn't really add any precedence to the gameplay and would probably have the same impact as the DS version. I bought this game after playing the demo and before that I was heavily considering selling my 3DS. Basically, this game saved my handheld and that's what's worthy of a mention.

#9: HAWKEN - PC

This game most certainly would have made it higher if it was easier to play. Every time I log in I feel inadequate and unprepared for a fight. While most players level up quickly, this adds an imbalance. New and better weapons are unlocked at higher levels so its easy for someone to go in and obliterate noobs, myself included. I haven't played the beta since day one and my mech is pretty much stock. Despite this, I will play Hawken in the future because its unique. Mostly. Mechs can be customized with new paint, weapons, and armor. New weapons can be bought and designs saved. The levels are nicely balanced and offer plenty of cover. There's always a chance to run away from a fight. On top of that, if your mech is badly messed up, you can repair it on the battlefield. If you can find a team that works well together or get some friends that you can communicate with, then you're pretty much unstoppable in Hawken. The gritty and barren feeling of the world around you is a perfect touch and the graphics are amazing to look at. Don't get caught ogling the scenery for too long because someone will come by and pick you off for an easy kill. 

#8: Tony Hawk's Pro Skater HD - XBLA

Yes, I know I wrote a scathing review of this game in an earlier blog, but you KNOW its bad when a free Android game, Rage of Bahamut at #8, beats out a $15 XBLA game. Still, it made this list, but ONLY because I wasn't able to play many AAA games this year. Borderlands 2, Dishonored, Assassin's Creed, even Lollipop Chainsaw would have easily knocked this one off. I won't go into details because you can read the review I've already posted. Go do that.

#7: RAGE OF BAHAMUT - Android

Not many people are into CCGs or TCGs these days. Magic the Gathering, World of Warcraft, Pokemon, and Yu-Gay-Ho are the only ones I can name off the top of my head. While looking at some cards earlier today I noticed a pack of 2007 baseball cards still on the shelf. Reduced price. Its awfully sad how the once-mighty companies of Topps, Fleer, Upper Deck, and Donruss are now just memories for older folks. A 1970 rookie card has probably reduced in price on eBay by a lot. Cards have evolved and so have games. If you haven't guessed by now, Rage of Bahamut is a CCG game on Android and iPod where the player is given a basic starting deck and they work their way up the totem pole through quests and by fighting other players. The game starts slow but there's never a feeling of helplessness. Meters for stamina and attack power drain with each quest attack and each battle. These don't refill once a day but rather 1 unit per minute, and with power ups you can play for even more time. What's great about it is that it can be played by both the casual and the hardcore. If someone wants to log in and play through the quest until their stamina runs out, they can. For the hardcore there are event quests, orders, trading and a lot more. I've spent over an hour before playing quests, battling players, and enhancing and evolving cards. This game is much bigger than you'd expect. Cards have rarities and the more rare they are, the more powerful they can become. Cards can be enhanced at the cost of other cards and rupies, and cards of the same kind can be evolved into more powerful ones. Real world money can be spent to buy power-ups or card packs and every once a while the game GIVES you a ticket to get a Rare card. Trading can be done among players and there are so many rewards for just participating. Best of all: ITS FREE. Its not a freemium game and buying a card pack doesn't always guarantee the best cards. Rage of Bahamut will stay installed on my phone for a very long time. I rarely find myself being bored with it.

#6: The Walking Dead - XBLA

A video game has never made me cry. At least not until Episode 3 of the Walking Dead when one characters desperation reaches a point where a suicide death is the only welcomed feeling they have, it becomes very heavy. The choices made at certain moments affect how other characters react to you or options you have down the road. Playing as Lee Everett, you're tasked with taking care of an 8-year-old girl named Clementine whose parents are lost. Traveling through Georgia (w00t!, about time we get recognized for something) you make stops throughout each episode and meet new people along the way, all the while watching your back for a zombie invasion. But sometimes the zombies aren't the only things you need to be afraid of. What makes the Walking Dead comics and show so great is that they're about the people and how they cope and survive during what might be a worldwide crisis. Its not all about hacking zombies to pieces. Old habits die hard among some and survival becomes the main mission. What's best for the group may not be best for one person and they will remember that, most of the time at bad moments down the road when there's a thousand walkers coming for you.

#5: Giana Sisters: Twisted Dreams - PC

This is the late entry into this list and the reason this blog was delayed. I had been wanting to play it for a for a few weeks and decided I might as well go for it during the Steam Winter Sale. The gameplay is based around dual personalities, one light and one dark, residing in Giana (why its called Giana Sisters is beyond me). You can get a better understanding of the plot by reading the Wiki page about it. It wouldn't do you any good for me to try and explain things. Switching between a cute and punk personality changes the world between dark and light. You can only collect red crystals as the punk and yellow crystals as the cute. Its a really smart mechanic and done amazingly well. I haven't seen this sort of flow since Ikaruga. The artstyle is awesome and the difference between the light and dark worlds flows with an even pace. Its never the game's fault when the player dies, its all on the player: a mis-judged jump, not switching personas at the right moments, repeatedly dying so you can understand a pattern. Whenever I get past an obstacle there's never really a feeling of being rewarded. More of an expectancy of "what's next?" The enemies that roam through the levels are never the major concern. Its all about the environment and puzzles.
The game comes with two bonus levels based on Halloween and Christmas. The artwork gallery pictures are unlocked by discovering big blue crystals, these are always found on an alternate path. There are hardcore and uber-hardcore modes to unlock as well as score and time attacks. The game has a great replay value and if you can find it on sale on Steam or a GOG.com, then I highly recommend snagging it. Keep in mind, I'm still playing this game and have only made it to chapter 2, but from what I have played it most definitely deserves the fifth spot on this list.

#4: Guild Wars 2 - PC

I'm a huge fan of Guild Wars. I've sunk so many hours into the first game that its unbelievable. I pre-ordered Guild Wars 2 a few months before it came out and I dropped $150 on the collector's edition (which, honestly, doesn't seem worth it now when looking back) and reveled in how amazing it was. But a month before the game was released I was kicked out of my guild and after playing Guild Wars for a mere two weeks I found I just didn't have it in me to continue. Not only was I alone for most of the game but there was no one to have a friendship with. And then the WoW players started pouring in. I suppose after hearing all the good things about it, they checked out GW2 and liked it. Now the world is full of people who only play PvP, GvG, WvW and the ones who play PvE are the ones barking orders at people whom they can't control. GW2 may be doing well with others, but to me its just another MMO now. The magic is gone and I'm just not feeling it anymore. I will go back to it because I love the exploring aspect, I love discovering everything, but I'm hesitant because I'm constantly alone.
But I digress, what I did experience was amazing. A huge world, amazing art style, so many attack combinations and a unique unfolding story that's tailored to the choices I make should have made this my Game of the Year. What I said about players giving orders to others whom they can't control, I meant it. Freedom is the name of the game and the choice to go an do whatever you want is only limited by your character's level. The expansive world means you should never get bored easily and the quests that suddenly pop up, (such as having to fend off a town that's being attacked by minotaurs, followed by finding out where the minotaurs live, followed by attacking them) means a near-infinite variety of things to do. I should definitely get back into playing soon.

#3: Forza Horizon - Xbox 360

Forza Motorsport 4 is currently #6 on my list of All Time Favorite Games. The depth and lengths that the game goes to please every player is astounding. From the gearheads with steering wheel controllers, who turn off all assists and manually shift, to the casual players who want no damage and a lot of help controlling a fast car, Forza 4 does things right. Unfortunately I'm not talking about 4 here, just Horizon. A horrible misstep in the wrong direction for a well-established franchise, Horizon goes out of its way to draw in the crowd of people who loved the Need For Speed Underground games, and subsequently the next 5 games after that. Its a pseudo-sim-arcade street racing game and while it is easy to master, I for one only miss the depth of the previous games. While the cars have a definitive weight to them, the gearhead aspect is non-existent. Besides that, the game just CAN'T SHUT UP. The event organizer who must describe every fart she's ever made in her life, the radio DJs who give scripted monologue, and the racers who talk smack at the start AND during every race, it seems someone is talking at all times. Would it kill one of the star racers to just say "I've heard good things about you, don't disappoint me"? The game is tied together in a festival atmosphere. Music and speed gathered at one place in Colorado. If you're a fan of mostly alternative music then you'll be glad to know that the soundtrack is varied, and it might introduce you to some new music.The problem here being that ITS ALL BAD. From anti-music dubstep to indie rock bands you've probably never heard of, the soundtrack is one of the most useless I've ever heard in a game. I just play without the music on, and at one point I became so frustrated with the speaking that I just completely muted the sounds altogether.

Still, despite all of this, Horizon is solid, well-built, knows what it wanted to deliver and delivers it. Speed is abundant and the community is alive. Too bad I will NOT be buying any of the DLC or a sequel if it comes to that. So just to be clear, the only reason Forza Horizon makes it this high on the list is because of its quality. My overall feeling of the game however is that Forza Horizon should die.

#2: Spec Ops: The Line - Xbox 360

Extra Credits said it best when talking about this game, "Its engaging. Not fun, but engaging." (They give a better review in two videos than I could ever give.) Spec Ops: The Line wasn't on my radar until I played the demo for it. I was blown away by the action. I was sold after the first time I tried it. I pre-ordered after barely debating it. After playing through I can definitely say that this game deserves to be this high on the list. It takes the player, Cpt. Walker, through a mission to find Colonel John Konrad somewhere in Dubai, which has been overtaken by sand. Walker and his two squadmates must fight against the army of Dubai and later against the US Army. It becomes a sticky situation and by the end it delves into some aspects of Post-Traumatic Stress Disorder. I don't mean to make a spoiler of it but the story is expertly crafted and all throughout you begin to uncover some things that make you question who the real badguy is. On top of the excellent single player, the multiplayer is just as thrilling. Using the same game mechanics, you play through the usual multiplayer affair: deathmatch, team deathmatch, capture the flag, etc. Throughout the multiplayer games, sandstorms happen that obscure the player's vision, disrupts the radar, and sometimes changes the environment.
While Spec Ops: The Line might not be a AAA game for years to come, it certainly made an impact on me simply by being different. It didn't want to follow the norms of other shooters and whenever I finish a game of single or multiplayer, I walk away satisfied.

#1: Halo 4 - Xbox 360

Please, anti-fanboys: Shut up and remember that this list IS NOT my top games of all time, just a top for 2012. That being said, Halo 4 is the most gorgeous-looking game I have ever seen on the Xbox 360. This is a step above Halo: Reach in the right direction. Adding new elements to gameplay, both single and multiplayer, while still keeping it familiar to the veterans, while even STILL making is accessible to newcomers is what makes Halo 4 so admirable. The single player campaign delves into the relationship of Master Chief and a failing AI Cortana whose own thinking is ripping her programming apart. The main mission for this new trilogy is to get Cortana to Dr. Halsey to be repaired all the while fighting your way through a sect of Covenant who are ignoring the truce in favor of discovering what's contained in a Forerunner planet. The solo campaign is vast but the usual "narrow way leading into an arena" is still present. Regardless, its just as much a star of the game as the multiplayer, which has a ton of various gameplay types in War Games and introduces Spartan Ops, an episodic side story where you play as your custom Spartan through a storyline separate from the main campaign. Multiplayer contains the usual fair of Slayer, Team Deathmatch, CTF, and the others you've come to expect in the Halo series. However I miss Firefight but its understandable since the number of differing enemies has been reduced, even with the new race introduced in the solo campaign.

It would be wrong of me not to mention the cutscenes that happen between the storylines in both campaign and Spartan Ops. 343 has outdone Bungie completely and not only is this game impressive to see, but it also backs it up by having astonishing gameplay. For those who lost faith in the first Halo Trilogy because of the extra games, Halo 4 is a great start to get back on track. I was never a huge fan of the Halo games but Halo 4 has made me a believer.

Keep Playing.

(I noticed when I started writing this that all top 4 games are ones that I pre-ordered. Go figure.)

Shotgun Review: Halo CE Anniversary Edition

(Shotgun reviews are my one-shot, opinionated, quick reviews of games. I hit you with the facts and a little bit more all at once. Pictures taken from Gamespot and power-on.blog.hu)

Hard to believe its been 10 years. Actually, for me, its easy. I was never one that was heavily invested in the Halo games but I do like the extensiveness of the universe. I was curious to see how the new 343 Studios would handle Bungie's baby, seeing as how 343 is comprised of former Bungie devs.
Let's clear this out of the way first: its the original Halo game with graphical improvements, achievements, Kinect functionality, skulls and more storyline added via the data terminals hidden throughout the game. If you played it so long ago on the original Xbox, its the exact same game.

The new graphics are just the icing on the cake. Some things that might not be clear to see with the classic graphics become great to look at with the new. You can switch the graphics styles by simply pushing the Back button and the change happens fast, there is no level reloading. All its simply doing is placing the new textures over the old. It almost seems to be a rush job at some moments. Unfortunately, I will say that the graphics aren't as good as Halo Reach.
There are a few pop-ins, particularly a few Grunts and Elites appear out of nowhere, as well as Sgt. Stacker in the flashback video the Chief takes from Jenkin's helmet. Textures at a slight distance will also have a pop-in effect. Its definitely not fitting for people who get angry at glitchy graphics.

Is it worth playing? Yes, but possibly only for the achievements and data terminals if you're a fan of the story. If you're in it for the flashy graphics and are expecting a complete overhaul and re-telling of the first Halo game... its not here. If you're worried about the game needing Kinect to be playable, its not. The only thing the Kinect brings to it is a library of data from scannable weapons, enemies, and objects. The game can be played without it and its no reason to rush out and buy one. Its just an addition to give more depth to the universe.
As an added bonus, the game comes with a standalone Halo: Reach Anniversary map pack. The maps are remakes from the original Halo game and can be played without the need of owning Reach, just know that you will be missing out on a better game.

*Dodges objects thrown by fanboys*

Hey, hey, hey! Reach is better to me because you actually get to know a little bit about the characters rather than being a faceless space marine! For some reason that baffles me, there was a pre-order bonus that included avatar gear and the Grunt Birthday Party skull. Thing is, you didn't have to pre-order anything. I bought mine from the store with the cardboard box around it. it would be tough to find it that way now so any early adopters need not shell out $10 for the DLC.

The combat is the same as the original Halo, the button layout is different but not a huge change. The friendlies, enemies, vehicles, weapons, and power-ups are all in the same places. Driving the Warthogs are still wonky and floaty. Some small confusion might ensue because things look different but that's practically a moot point. There are some moments where the new graphics aren't attached well and you can find yourself poking through walls.

What it boils down to is this: if you want the achievements, get it. Its cheap and can provide a weekend of something to do. A rental at best.
If you're expecting a grand re-packaging of Halo, its not worth it.
All others need not apply. If the original game didn't draw you in to the Halo universe so long ago then this one will not help any. I've had it since a couple of weeks after release and I haven't even bothered to complete it. Its just not very interesting.

Keep Playing.

A Second Look @ Tony Hawk RIDE

I have had this game for less than a week, and I've already broken the skateboard controller.

This game is an absolute waste of time, money, and effort.
When you create a peripheral, its supposed to work. Plain and simple. But when that peripheral can't recognize one motion from another, then you have wasted everything. If there ever was a failed experiment in new ways to play video games, its the skateboard controller. I think we can all blame this for being the tipping point in the "too many add-ons" argument for video games these days.

To be bluntly honest: it doesn't work. During my less than 20 minutes playing around with the game, I didn't make it through the training before breaking the board. I was able to do more just by turning the board in my hands than by standing on it and attempting what it was trying to train me to do. The motion sensors in the skateboard are either too sensitive or do not respond at all. Attempting to do an ollie will be split between accomplishing the jump, entering a manual, doing a flip trick, or nothing at all. While it is a sturdy piece of plastic, its too small for anyone over 5 ft tall and you'll find yourself sliding over a carpeted surface.

The game itself is just bland with the environments being unnoticeable. They're frustrating to navigate since there is no way to slow your character down aside from running into a wall. The graphics look as though they came from the previous generation and there's just a general sentiment of grabbing thin air in a desperate attempt to keep the dying early 00's skateboarding craze going.

I'm not pissed that the game doesn't work, I'm pissed that I'll never have that $15 again because I can't return a broken product. $15 of my own money wasted. I thought "well, it was cheap enough, I'll buy it again one day." Then I came to my senses. Never again.

Never again, Tony Hawk.

If you're looking to collect peripherals, sure. Go for it and buy it. Its cheap enough now.
But if you were expecting a good game and were waiting for it to be cheap: now's the time to use that money to buy Elder Scrolls Oblivion, DiRT, Forza 3, Halo Reach,  Mass Effect 2, or any other game for that matter.

There are far better games that you can spend your money on. In fact, you could even buy a REAL skateboard and learn to ride that. It would be a better experience than attempting to play this game.

Keep Playing Anything But This.